摘要
宋代宫廷乐舞表演者参军色所持舞具"竹竿子"源于古代引舞之旌旗,但在发展过程中,曾受到西藏传统艺术热巴舞中持旄牛尾而舞的表演形式之影响,这种影响大约在吐蕃时期发生,通过西域而传入中原宫廷,它可以视为汉藏艺术传播史上的一个重要例证。
Zhu-Gan-zi was the props which had been held by the court music and dance performers named Can-Jun- se in Song Dynasty. It was originated in the flags and banners which had been used to lead the dance in the ancient times. In the course of its development, it was influenced by the traditional Tibetan dance ＂Re- Ba＂ whose props was the tail of yak. This effect happened in Tubo period and been introduced into the court of Han nationality through the western regions. Therefore it was regarded as an important example of the history of dissemination of art between the Han nationality and the Tibetan nationality.
出处
《西藏研究》
CSSCI
北大核心
2009年第2期39-46,共8页
Tibetan Studies
基金
国家社科基金重点项目"观念
视野
方法与中国戏剧史研究"(批准号:08AZW002)子课题
教育部人文社科一般项目"古代戏剧形成与管理"(批准号:07JC751026)阶段性成果
关键词
竹竿子
参军色
旄牛尾
热巴
艺术传播
Zhu-Gan-zi
Can-Jun-se
the Tail of Yak
Re-Ba dance
dissemination of art
