摘要
晚清民国时期的茶馆戏园,作为公共空间为大众提供娱乐,从中除了可以了解人们在茶馆戏园的日常生活外,还可以看到改良精英和地方政府竭力改革戏曲作为控制大众娱乐的一部分,把他们的政治灌输在表演的节目之中,把他们所认为的"新的"、"进步的"情节加入到传统戏曲中,以"教育"民众。精英和国家对茶馆戏园的改良和控制揭示了大众文化与精英文化之间、地方文化的独特性与国家文化的同一模式之间的斗争。在国家权力及其文化霸权之下,大众娱乐不可避免地被改变了。但国家要达到控制的目的远非轻而易举,从晚清改革到国民政府的崩溃,成都地方文化和习惯堡垒顽固地坚守着它们的防线,充分显示了近代中国文化变化与持续性同时并存这样一个重要的历史现象。
Teahouses and theaters in the late Qing and Republican periods were public spaces providing entertainments for themasses. Aside from the daily life of common people in teahouses and theaters,examining these spaces also reveals that Re-formist elites and l0cal governments tried to reform local operas as a means of controlling the masses.They infused their pol-itics into programs,and mixed plots which they thought were'new'and'advanced'into traditional operas in order to'educate'ordinary people. The efforts of elites and the state to reform and control teahouses and theaters show the strugglesbetween popular culture and elite culture,and between the uniqueness of l0cal culture and the standardization of state cul-ture. Under the state’s power and cultural hegemony,popular entertainments were inevitably changed. However,it was noteasy for state to attain its aim of controlling popular entertainments. From the late Qing reform movement to the collapse ofthe Nationalist goveroment,local culture and customs in Chengdu stubbornly held their line of defense,giving full demon-stration of an important historical phenomenon:the co-existence of change and continuity in modern Chinese culture.
出处
《近代史研究》
CSSCI
北大核心
2009年第3期77-94,共18页
Modern Chinese History Studies
