摘要
抚州傩戏演制展示出其独特的文化内涵:一是驱傩的原始形态;二是融合明清社戏娱神乐人形态;三是寓传统的科举进仕文化主题,即人文教育思想于热闹的气氛之中。三个层面呈现为本质、形式、特色等三位一体的关系,较为全面地保存了中华傩文化从原始巫舞至明清社戏的演变痕迹,且渗入地方人文精神等,因而具有较高的学术价值。
The performance system of Fuzhou Nuo opera demonstrates the particular cultural connotations. The first one is about which was in original form of flooding Nuo; The second is about the form of entertaining the gods and human , tegrated with the social drama of the Ming and Qing Dynasties. The third is putting the traditional Keju culture , which is Thinking of Humanities Education , into a lively atmosphere. The three levels show the threein-one relationship of the nature, form, characteristics , comprehensively preserving the evolutional traces of Chinese Nuo Culture from the original Wu dance to the Ming and Qing Social drama and infiltrating the local humane spirit, which make it have a high academic value.
出处
《东华理工大学学报（社会科学版）》
2009年第2期106-108,共3页
Journal of East China University of Technology(Social Science)
关键词
抚州傩戏
演制
文化内涵
人文精神
Fuzhou Nuo opera
performance system
cultural connotation
humane spirit
