摘要
历代论及唐宋词作,都将词的各种研究定格在其表面的审美角度,以探讨词之思想等方面。本文欲从当时的历史时代背景,及当时文人的审美心态之源,揭示词作者的心理层面,从而将研究的方向定位在词作的性格方面,并结合当时特定的社会背景与人之"双性"理论,对词进行了分析,从而得出了与传统研究观点不同的结论。
The discussions of Ci in Tang and Song Dynasties were usually on the surface of the aesthetic point of view to explore the minds of Ci. This paper aims to reveal the deep mentality of the authors of Ci and orientate the research towards the characteristics of Ci, from the perspectives of the historical background and the source of the aesthetic mentality of the scholars at that time. According to the combination of the specific social background and the “androgyny” theory, it also analyzes ci, so as to come up with a conclusion different from the traditional research.
出处
《安徽广播电视大学学报》
2009年第2期93-95,共3页
Journal of Anhui Radio & TV University
关键词
词作性别
歌妓
双性体
情理冲突
gender of Chinese Ci
geisha
androgyny
conflict of emotion and rationality
