摘要
中国现代文学婚恋叙事中的"第三者"乃是一个现代认识装置,它是现代婚恋观念的普及及其制度化所导致的一个必然结果。现代文学场域中的"第三者"可以归结为两股叙事潮流:一是以五四运动中的重要作家为代表的启蒙文学潮流;一是以蛰居上海的现代主义作家叶灵凤、穆时英为代表的先锋文学潮流。二者之间偶有重合之处,它们所蕴含的价值、道德、伦理判断依然泾渭分明,风格迥异。
The third party is a modern understanding in love and marriage, resulting from the popularization and regularization of the modern marriage concept. The third party in the modern literature includes two narration styles： one is the enlightenment literature style represented by the key authors in the May 4th Movement. The other one is the vanguard literature style represented by the modern authors such as Lingfeng Ye and Shiying Mu living in Shanghai. The two styles have occasional overlapping, but the value, moral and ethic are totally different.
出处
《东北师大学报（哲学社会科学版）》
CSSCI
北大核心
2009年第4期158-160,共3页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
关键词
第三者
婚恋叙事
现代婚恋
the third party
love and marriage
modern marriage
