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“审美意识形态论”与人在文学活动中的存在 被引量:3

Aesthetic Ideology and Being of Human in Literary Activities
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摘要 文学审美意识形态论是新中国文学理论在改革开放时代精神指引下所创生的学术成果。文学审美意识形态论所揭示的文学性质,是文学中呈现出来的与人类的生存状态结合在一起的审美意识形态价值。它的产生不仅是中国新时期对艺术的科学认识的回归,而且特别是马克思主义人本主义思想的回归,在理论基础上是有马克思学说的人学与社会学统一的学理依据的。在科学发展观"以人为本"思想指导下,在当代中国学术环境中再也不能不分青红皂白地否定马克思主义自身的人本主义思想,应该注重在"以人为本"思想指导下进一步建设文学审美意识形态论。 With the stimulation of the time spirits of reform and opening period, the theory of the literary aesthetic ideology is one of the academic achievements newly created under the new Chinese Literary Theories. The literary character revealed by this theory is the value of the aesthetic ideology presenting through the literary works and combined with the living conditions for human beings. The creation of this theory is not only a return of scientific realization on art during China's New Period but also the return of the Marxist Humanism Thought especially; and from theoretic base point of view, it also has a doctrinal support, which is a unity of the Marxist humanist theory and the Marxist sociology. With the direction of the Scientific Development Conception that has core concept of people-oriented thought, it cannot be denied that the Marxism has its own humanism thought under the academic circumstance of modern China. We should make more efforts to construct the theory of the literary aesthetic ideology in the people-oriented thought.
作者 冯宪光
出处 《西南大学学报(社会科学版)》 CSSCI 北大核心 2009年第5期166-170,共5页 Journal of Southwest University(Social Sciences Edition)
关键词 审美意识形态 马克思学说 人学与社会学 科学发展观 以人为本 aesthetic ideology Marxism theory human theory and sociology the Outlook of Scientific Development hu- man-orientedness
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