摘要
实践、理论、舞台积淀,是衡量传统戏曲对中国话剧舞台艺术产生影响的三个方面。传统戏曲对中国话剧发生持续自觉的影响是从1956年开始的。中国话剧自觉学习戏曲的过程分四步:"搬用"戏曲程式、"化用"戏曲程式、描绘戏曲"神韵"、熔铸话剧的"神韵"。由于文革的打断,第四步是新时期以来才开始的,在时间上同前三步形成断裂。戏曲对话剧的影响最终归结到"神韵",构建自身的"神韵"是话剧进入中国文化圈的必然。
Practice,theory,and accumulation of performance are three aspects to measure the influences of traditional Chinese opera on Chinese modern drama stagecraft.The conscious borrowing did not begin until 1956,a process that may be divided into four steps：copying the form of traditional Chinese opera;amalgamating the form of traditional Chinese opera into modern spoken drama;mimicking the spirit of the traditional opera;and developing the spirit of modern spoken drama.The last step did not begin until after the the Cultural Revolution, and was broken from the first three steps. The spirit presents the ultimate influence of Chinese traditional opera to modern spoken drama, without which the latter would never be able to melt into Chinese culture.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2009年第3期27-36,共10页
Drama:The Journal of the Central Academy of Drama
关键词
传统戏曲
话剧舞台艺术
影响
神韵
the Chinese traditional opera
modern drama stagecraft
influence
spirit
