摘要
从传说的本源性及广东阳春铜石岩石刻考察,刘三姐实有其人,其初始是民间杰出歌手。铜石岩石刻是迄今唯一可信的记载真实刘三姐信息的文献,其后600多年几乎无文字记载,全凭口耳相传。明、清及其后所记载的刘三姐,属后人传说中之演绎、兼容、虚构及衍生,仅是一种多元民俗文化的意象和载体,不可混淆于本真刘三姐,学术界当明确界定。
The origin of the legend and the investigation of Yangchun Tongshiyan in Guangdong indicate that Liu Sanjie is actually true, and she is an outstanding singer. The stone inscription of Tongshiyan is by far the only credible literature that really recorded the history of Liu Sanjie. There was almost no record in the next 600 years except the legend. The record during Ming and Qing period, or after that, are descendants of the legendary in- terpretation, which is just multi - folk culture and image of the carrier and can＇ t confuse it with the true Liu San- jie. The academic circle must make it clear.
出处
《河池学院学报》
2009年第4期107-111,共5页
Journal of Hechi University
基金
广西教育厅科研项目"红水河流域歌谣文化研究"(200505226)
关键词
刘三姐
可信文献
歌圩传承
民俗意象
虚实考辨
Liu Sanjie
credible literature
hand down by singing
National image
true and false investigation
