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灯火阑珊之处--乔伊斯《死者》的圣杯骑士传统 被引量:5

James Joyce’s "the Dead" and the Grail Knight Tradition
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摘要 《死者》是詹姆斯.乔伊斯短篇小说集《都柏林人》中最后的一篇,与西方圣杯骑士传统有着微妙的联系。在《死者》中,伽布里欧被刻画成一位变形的圣杯骑士,为了拯救荒原(都柏林)踏上了寻找圣杯(大陆文化)之旅,并在经历了两次象征性的洗礼后获得顿悟,原来他所寻觅的圣杯是虚幻的,借鉴大陆文化只是表象,发扬本土文化才是根本,只有将两者结合起来才能创建都柏林的繁荣。 James Joyce' s "the Dead" hood. Gabriel here is described as a transformed bears Grail the tradition of Holy Grail Knight- Knight, stepping onto the road for seeking the Holy Grail in order to rescue the waste land of Dublin. He acquires an epipha- ny from two baptisms and realizes that what he is pursuing is illusionary. While the Holy Grail is far-fetched, Dublin is the very site where he and his people can build up their own prosperity.
作者 罗益民 张荷
出处 《当代外国文学》 CSSCI 北大核心 2009年第4期77-86,共10页 Contemporary Foreign Literature
关键词 乔伊斯 《死者》 圣杯骑士传统 James Joyce, "the Dead", the Grail Knight tradition
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参考文献20

  • 1Blades, John. How to Study James Joyce. Houndmills, Basingstoke, Hampshire : Macmillan, 1996.
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二级参考文献24

  • 1杨慧林.“圣杯”的象征系统及其“解码”——《达·芬奇密码》的符号考释[J].文艺研究,2005(12):30-40. 被引量:12
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  • 8Rudorff, Raymond. Knights and the Age of Chivalry. New York: The Viking Press, 1974.
  • 9.《大英百科全书》第15版[M].,..
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