摘要
在中外雕刻艺术史上,雕塑作为一种艺术创造活动,与神像有着十分密切的关系,并以其独特的艺术形式展现、丰富着人类的历史和文明。希腊神话雕刻匀称的比例,合理的造型,是数千年来西方造型艺术中不朽的典范。而中国的佛教雕刻从魏、晋、隋、唐到宋元时期,以写意的手法展现着另一种雕刻风貌。
In Chinese and foreign carving art history, the sculpture takes a kind of artistic creation, it has close relationship with a god or buddha, And by its unique artistic form development, it enriches humanity history and civilization.The Greek mythology carving,with symmetrical proportion and the reasonable structure, has been considered the model of sculpture for several thousand year in West the. But China＇s Buddhism sculpture from the Wei, the Jin, the Sui, the Tang dynasties and the Song, the Yuan time are actually other kind of style using the technique of frechand.
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第6期I0017-I0020,共4页
Journal of Northwest University：Philosophy and Social Sciences Edition
关键词
中国佛教
希腊神话
雕刻比较
Chinese Buddhism
Greek mythology
Carve comparison
