摘要
本文是对永乐宫所藏一件西魏道教造像碑的调查与研究,在实地考察和对比早先拓本的基础上,对该碑的文字和造像进行了详细的记录和校勘。依据碑文所记,像主是出自河南汝南后定居于山西芮城并在郡县各机构任要职的蔡氏家族。由文献考证得知,造像者所记叙的庞大而久远的蔡氏家谱有许多虚构和神化的成分。他们借助从都城长安传入的太上老君的图像,辅之以半真半假的家谱以树立自己的权威,奠定正教一体的统治基础。而在造像风格上,则体现了长安传统与蔡氏原籍洛阳的佛教艺术相互交融的特点。三足凭几由维摩诘转为老君像的使用,可谓开风气之先,以至后代一直沿袭。
This thesis is a investigation and research on a Daoist image stele of the West Wei Dyansty collected in the Yongle Palace.The Laojun's Image Stele by Cai Hong built in 548 AD in the West Wei is the biggest and oldest Taoist image stele in the North Dy-nasty out of Shanxi Province.On the basis of field investigation and comparation with earlier rubbings,this thesis does thorough recording and collation for the text and image on the stele.According to the text,the subject image was from the Cai Family who moved out of Runan in Henan Province to Rui City in Shanxi and occupied each significant position in the counties government.After researching the documents,we know that the large Cai's genealogy with a long history written by the image builder is with a big part of fiction and myth.With the iamge of Taishang Laojun borrowed from Chang'an,the capital,they added the family genealogy half created to set their authority,and to establish the rule basis integrating politics and religion.And as to the style of image stele,it shows the character that integrates the Chang'an tradition and the Buddhist art from Luoyang which was Cais' original hometown.To use the tripod Ji,originally used for Weimojie,for making Laojun's image was the very first time then,and the later generation succedded the way.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2009年第6期1-5,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
道教艺术
造像碑
老君像
西魏
蔡氏家族
芮城永乐宫
Taoist art,image stele,Laojun's image,West Wei Dynasty,Cai Family,Yongle Palace in Rui City
