摘要
我们正处在一个高度图像化或视觉化的时代。图像的自我增殖和无节制传播凸显出视觉饱和化问题,表现在符号污染、信息流失、空间侵占三个方面。在对视觉饱和化的概念界定之后,分析视觉饱和化的成因,主要是人对图像及其效果的迷恋和媒体的视觉狂轰所致,而这是依赖技术的高度进化作强大后盾的。同时,提出"饱和、沉淀"之说,指出饱和化的进程,人类的生存状态受到压迫,引发了视觉困境与生存困境,主要体现在真实状态的迷失及存在本身的困惑。这是一种不可忽视的视觉危机,而视觉危机在某种程度上就是人性的危机。因此,对受众即"主体性人"的反思是一个必须注意的文化问题。
In a highly visualized age, the problem of visual saturation is indicated by the self - reproduction and unlimited dissemination of images, which is symbolized by three aspects of symbolic pollution, loss of information and the invasion of space. After defining visual saturation, this paper focuses on the analyses of its causes, which could be mainly attributed to people＇s infatuation on images and its effects, as well as the visual bombard of medias, with highly advanced technology as their powerful backings. Meanwhile, this paper also puts forward the parlance of ＂saturation ＆ precipitation＂ to show that the process of visual saturation has brought pressure to human＇s survival, which leads to visual and even survival predicaments, mainly reflected by the loss of reality and confusion about existence. This is an inconvenient visual crisis, and a kind of humanity crisis. Thus, the reconsideration about the idea that the audients are ＂subjective men＂ has become a noticeable cultural issue.
出处
《哈尔滨工业大学学报（社会科学版）》
2009年第6期64-68,共5页
Journal of Harbin Institute of Technology(Social Sciences Edition)
关键词
图像时代
视觉饱和化
生存困境
picture era
visual saturation
survival predicament
