摘要
《相爱的日子》中,毕飞宇体察了现代人所呈现出的生命情态:面对物的围困,人们礼貌地疏远,各自孤独地漂浮;如此的"脱域"带来了"再嵌入"的渴求,焦虑和无望由是而生;于是身体成为漂泊者唯一的信靠,更成为毕飞宇叙事艺术的源泉。而"平原世界"中斗争与分裂的错误植入,以及对"再嵌入"无望感的简化,也使小说出现两处败笔。
In The Days When We Loved Each Other,Bi Feiyu studies the living condition of modern people： facing the surrounding of different objects,people are estranging from each other politely and floating alone in the world;such ＂isolation＂ bring them a thirst of ＂re-integration＂,and a feeling of anxiety and disappointment.Therefore,body becomes the only reliance of rovers and the origin of Bi Feiyu s narrative art.By the way,there are two faulty expressions in the novel.
出处
《南京师范大学文学院学报》
CSSCI
2009年第4期45-48,共4页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
物
漂浮
身体
object
floating
body
