摘要
20世纪80年代以来的我国审美文化研究既有别于抽象的美学玄思,也有别于具体的物质文化实践,实质上是美学应对文化世俗化的一种选择。它切合了新的时代语境,极大地冲击了传统的美学理念,改变了传统美学研究偏于思辨的范式。审美文化研究兴起的原因复杂多样,既与20世纪90年代中国经济文化的转型有关,也深受现代科技文化和新兴媒体文化的影响。当代审美文化研究高度重视理论与实践的结合,从各种视角对当代中国审美文化进行了多维透视。当代审美文化研究中也存在着人文内涵不足、视野偏窄、观念迂腐老化的缺陷。因此,当代审美文化研究应该强化人性关怀意识,重视审美文化研究的实践性、应用性,重视跨学科研究,把握当代审美文化的后现代性征。
The cultural aesthetic study in 1920＇s in China is different from the abstract aesthetic metaphysical study and the concrete cultural material practice. In fact, it is a kind of choice of aestheticism against cultural conventions. This choice is coherent with the cultural context of the age, and greatly shocks the traditional aestheticism, which changed the favor of the traditional aestheticism to theorein. There are various reasons for the rise of cultural aestheticism, which resulted from the Chinese cultural and economic changes in 1990＇s and from the influences of modem science and newly spring media. Modem cultural aestheticism highly notices the union of theory and practice and gives a multi-observation. But as we know, within it, there are a lot needed improving, such as the deficiency of connotation, narrow mind, and inflexible opinion. Therefore, the modern cultural aestheticism should strengthen the humanism, pay close attention to its practice and application, notice the cross-subject study and master the features of the post structuralism in aesthetic activities.
出处
《廊坊师范学院学报（社会科学版）》
2009年第6期58-61,共4页
Journal of Langfang Normal University(Social Sciences Edition)
基金
2008年度山东省社会科学规划研究项目(08DWXJ09)
关键词
当代
审美文化
回顾
反思
modem
cultural aestheticism
retrospect
rethink
