摘要
"国家"、"民族"是梁启超"新小说"目光所及的终点,梁启超以"守望家园"的视角来审视小说,将小说作为劝善惩恶的工具,这种视角让小说担负了太多不属于小说的重任并最终压垮了小说。"守望家园"的视角显示了梁启超的现代性,只是这个现代性是启蒙现代性。王国维的文学观摆脱了"一时"、"一地"、"一国"的束缚,而具有了"天下"的广阔视野。"俯瞰苍生"的视角使王国维得以高屋建瓴地洞察人生与小说,不给小说负载道德说教与社会救赎的重任,使得小说全面、真实地创造世界。"俯瞰苍生"的视角无疑具有反抗传统的现代性特质。从"劝善惩恶"到展示真实世界,显示了小说评论与创作的现代性历程。
Different viewpoints result from different angles of the novel. Liang Qi chao surveyed novels from an angle of concerning the nation and the people,while Wang Guo wei surveyed novels from an angle of exceeding the nation, the people, and even ＂humanity＂. Wang Guo-wei used the ＂overlook＇angle of view to survey novels. Obviously, Liang＇s angle had its historical role, while Wang＇s angle could delineate the real and complicated world.
出处
《山东科技大学学报（社会科学版）》
2009年第6期76-81,共6页
Journal of Shandong University of Science and Technology(Social Sciences)
关键词
梁启超
王国维
小说
Liang Qi chao
Wang Guo-wei,novel
