摘要
关汉卿作为包公戏的开拓人,在题材上注重市民日常生活的开掘,注重描写百姓在权豪恶霸凌辱下的痛苦;在人物塑造上,他第一次成功地塑造了清官能吏的代表人物包公,着力刻画他巧用智谋惩恶扬善;在悲剧审美趣味上,大团圆结局总有一种缺憾,并反映民众一相情愿的"天理"力量,是一种苦涩的大团圆。
As a pioneer that wrote the operas about Baogong,GUAN Han-qing paid much attention to opening up the daily lives of town-people,took them as the materials of the operas and described the bitter lives of the town-people that lived under the oppresses and humiliation by local tyrants and the powerful rich.With regard to characterization,he first successfully molded the clean official representative figures including Baogong,strongly described the clean and honest ones that punished the evil and honored the good with their wisdom.With regard to the aesthetic flavor about tragic operas,the great reunion end will always have a kind of defect and reflect a 'heavenly principle' power one-side wished by the masses,thus the reunion is a kind of bitter great reunion.
出处
《黄河科技大学学报》
2010年第1期102-106,共5页
Journal of Huanghe S&T University
基金
江苏省2009年度普通高校研究生科研创新计划课题<包公文学研究>(CX09B-092R)的阶段成果
关键词
关汉卿
元杂剧
包公
权豪恶霸
GUAN Han-qing
the miscellaneous opera in the Yuan dynasty
Baogong
local tyrants and the powerful rich
