摘要
"打溜子"作为土家族的一种音乐文化,它的生存与传承基于土家族人的日常生活世界,它的变迁记录着"打溜子"的表象及内涵的变化,是土家族文化认同的一个重要标志。在实地调查的过程中了解到:土家族"打溜子"蕴含着特定的"习惯法"、"集体记忆"等文化特征和特定的"口传"与"文本"的表演转换关系,同样存在特定的演奏"角色"关系、"即兴"音乐行为和"生存价值"、"社会控制"、"文化认同"的社会功能。
＂Da Liu Zi＂ is a musical culture of the Tujia nationality. Its existence and heritage are based on Tujia＇ s everyday life. Its changes record the presentative and connotative changes of ＂Da Liu Zi＂, which is an important symbol, a cultural identity of the Tujia nationality. In the process of some field surveys we knew that there were specific cultural characteristics of custom law and collective memory in Tujia ＂Da Liu Zi＂ ; there were specific transformational relations of the performance of ＂oral transmission＂ and ＂text＂ ; also there are specific relation 6f performaning ＂role＂ , ＂improvisational＂ music action and the social functions of ＂survival value＂, ＂social control＂ and ＂cultural identity＂.
出处
《贵州大学学报（艺术版）》
2009年第4期18-23,31,共7页
Journal of Guizhou University Art Edition
关键词
“打溜子”
文化特征
口传与文本
即兴演奏
文化认同
cultural characteristics of ＂Da Liu Zi＂
oral transmission and text
improvisational performance
cultural identity
the Tujia Nationality
