摘要
美国著名汉学家宇文所安以一人之力编译了诺顿文选系列之《中国文学选集:从初始阶段至1911年》。他试图通过互文编排实现文本家族的构建,展示中国文学传统在其漫长历史中体现出的承继性与多样性,同时也为中国文学史的重写提供了有益的借鉴。但是,作为一名在西方学术体制中受训的汉学家,宇文所安在选集的编译中也体现出一定的局限性,未能全面反映中国文学传统之真实面貌。中国学者有必要对《中国文学选集》作出回应和反思,研究作为"他者"的汉学家对中国的文学想象和文化利用,为平等互惠的国际文化交流开辟新的路径。
The outstanding American Sinologist Stephen Owen has translated and edited the Norton＇s An Anthology of Chinese Literature, Beginnings To 1911. By establishing a family of texts with inter-textual arrangement, Owen tries to represent the continuity and variety of the long Chinese literary tradition. Besides, the anthology is a useful reference for rewriting Chinese literary history. However, as a typical Sinologist trained in the Western academic system, Owen has his own limitations in anthologizing such works because this anthology does not reveal a truthful picture of Chinese literary tradition. It is necessary for the Chinese scholars to have some responses and reflections on this anthology for a better understanding of the literary imagination and cultural application by Western Sinologists as ＂the other＂ in order to promote the equal cultural communication in the world.
出处
《云南师范大学学报（哲学社会科学版）》
CSSCI
2010年第1期151-156,共6页
Journal of Yunnan Normal University：Humanities and Social Sciences Edition
关键词
《中国文学选集》
文学传统
他者视域
宇文所安
An Anthology of Chinese Literature
literary tradition
perspective of ＂the other＂
Stephen Owen
