摘要
检视哈贝马斯关于审美领域规范性基础的阐释,进而反思文艺学规范性这一知识学得以展开的可能性。审美领域在现代拥有自身的规范性基础,因此可以用形式语用学加以阐释,但是它本身所具有的复杂性、模糊性和悖论性,使得其内在地违背普通语言的惯例,逃脱日常言语行为的以言行事力量之掌控。因而立足于现代审美领域的文艺学既拘宥于话语的价值合理性,又要应对"无言之美"的微妙灵韵,文艺学规范性基础的思考理应聚焦于这两者之间的连接点。
The essay studies Habermas＇s interpretation of normative foundation in the aesthetic sphere and reflects on the possibility of knowledge of literary theory as a discipline.The aesthetic sphere lays its own normative foundation in modernity,and thus is interpreted by formal pragmatics,but because of its complicatedness,ambiguity and paradoxes,it essentially conflicts with the convention of general language and frees itself from the illocutionary force of everyday speech acts.Therefore,literary theory,which is based on the modern aesthetic sphere,is bound to the validity claim of discourse and corresponds to mystical aura as beauty beyond language.A consideration of normative foundation of literary theory as a discipline should focus on the articulation between them.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第1期40-47,共8页
Journal of Sichuan University：Philosophy and Social Science Edition
基金
国家社科基金项目青年项目"布达佩斯学派重构美学思想研究"(07cww001)
四川大学青年学术人才基金(2008-2012)成果
关键词
哈贝马斯
审美领域
规范性基础
文艺学
Habermas
Aesthetic Sphere
Normative Foundation
Literary Theory
