摘要
悼词在西方古典修辞学中属于"炫耀式"文类,旨在为逝者歌功颂德,使其永垂不朽。然而德里达认为这种将逝者"归类"的做法,抹煞了逝者的个体性,宣布了逝者作为个体的二次死亡。德里达的巴特悼词通过运用开放、支离破碎的话语和转喻,试图打破这种封闭的话语空间。尽管他想方设法冲破语言的牢笼,但最终还是难以避免地留下了修辞的痕迹。
Eulogy as an epideictic genre in Western classical rhetoric fulfills the social function of immortalizing the dead by consigning them to a symbolic category. Such categorization, in Derrida＇s view, deprives the deceased of their individuality and pronounces their second death. In his eulogy of Roland Barthes, Derrida challenges the symbolic and structural demand of panegyric rhetoric. However, despite his rigorous attempt to break through the prison house of language, Derrida leaves behind him visible ＂traces＂ of a rhetorical exercise.
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2010年第1期150-156,共7页
Journal of Lanzhou University（Social Sciences）
关键词
修辞(学)
碎片化
转喻
刺点
解构主义
德里达
罗兰·巴特
rhetoric
fragmentation
metonymy
puncture
deconstructionism
Jacques Derrida
Roland Barthes
