摘要
从成兆才著名的评剧版本到上世纪50年代末期、80年代初期的改编版本,再到2007年的电视剧,《杨三姐告状》的传播经历了三个文化时期,所带来的有关文化、艺术、道德之间的关系问题,尤其能彰显出艺术在传统道德文化、政治意识形态、媒介文化等三种不同的文化语境中的不同特征,显示出媒介文化对于艺术的改塑功能。
From Cheng Zhaocai＇s Pingju Opera edition to the revised editions of Xin fengxia and Gu wenyue in the late 1950s and the early 1980s to the TV series in 2007, Yangsanjie Lawsuit has undergone three different cultural periods. The relationship between relevant cultures, art, morality and, in particular, the different features of the traditional moral culture, ideology and medium culture in three different contexts reflect the reconstructing functions of medium culture on art.
出处
《唐山学院学报》
2010年第1期58-62,共5页
Journal of Tangshan University
关键词
杨三姐告状
文化
传播
改塑
Yangsanjie Lawsuit
culture
spreading
reconstruct
