摘要
抗战时期张恨水客居在陪都重庆,一方面,他从自己全新的客渝生活体验作笔,"幻想"和"叙述"着他的重庆人生,以重庆为创作背景,从"下江人"的视角打量着重庆的人与城,为我们塑造了一幅栩栩如生而又充满寓意的重庆形象图;另一方面,正是当时张恨水有了这种独特的重庆生活体验之后,笔者发现重庆形象对其后期的创作艺术产风格产生了深刻的影响并具有有一种重塑作用。
In the period of the war of resistance against Japan, Zhang Henshui had to lead a wandering life in the capital of chongqing. On the one hand ,as his newest taste of the wandering life, he fantasizeed and stated his life in chongqing, taking chongqing as the background of his production, he has an angle of view from the xia jiang people ,to size up the appearance of the capital and the people who live in chongqing ,he molds an lively and limplied meaning appearance for chongqing. On the other hand ,just after his experience of the special wandering life, the auther find that the style of his art have been changed hugely and remolded his art style.
出处
《重庆三峡学院学报》
2010年第1期72-75,共4页
Journal of Chongqing Three Gorges University
关键词
张恨水
重庆形象
艺术风格
Zhang Henshui, the appearance of chongqing ,the style of art
