摘要
牟宗三善美学的突出标志,便是否定康德的审美共通感。因而,这种善美学并不足以批判康德美学的形式化和空虚化,反而在真善美的"合一说"中极成了一种智的直觉的形式主义,让美与政治、经济、伦理等社会生活的实际内容完全融离。这样,这种善美学也就成为牟宗三"道德的形而上学"的路标,为我们标明:牟宗三式的"内圣"不但不足以开出"新外王",反而可能造就一种反政治的政治哲学。
Mou Tsung-san intended to establish a moral aesthetics in explaining Confucianism with intellectual intuition rather than with Kant＇s aesthetic judgment.Firstly,it was founded on a moral metaphysics ultimately through uniting knowledge and aesthetic with moral;secondly,it criticized the formalism and emptiness of Kant＇s aesthetics,and also distinguished itself from Taoism and Heidegger.In this way,Mou Tsung-san reconstructed Chinese＇s traditional ethics-aesthetics.It is a treatment for contemporary consumer aesthetics.It may,however,do the reverse of what people are expected to do.
出处
《华东理工大学学报（社会科学版）》
CSSCI
2010年第2期92-97,共6页
Journal of East China University of Science and Technology：Social Science Edition
基金
上海市哲学社会科学规划课题"儒家文化与当代生活:牟宗三美学思想批判"(2008FZX001)的阶段性成果
关键词
牟宗三
善美学
智的直觉
审美共通感
Mou Tsung-san
moral aesthetics
intellectual intuition
common sense
