摘要
新生代导演底层空间的建构牵涉到新生代导演的视觉焦点与影像内容,他们以底层作为审视对象,以底层作为话语资源,其底层影像是汇集在当代中国公共领域中层出不穷的底层话语中的;另一方面,"空间"涉及到新生代导演的影像美学与独特价值,新生代导演正是以底层空间的建构作为具体承载的影像区域,以"第三空间"的方式开掘空间的多重功能与美学修辞,在与"当下"的对话中显现了另一个"底层中国",形成对当下中国的现代化进程冷静而独特的思考。
Constructing under-class space for China＇s new-generation directors involves their visual focus and imagery content：on the one hand,they take under-class as their object of observation and discourse resources and their under-class imagery is assembled in the under-class discourse that emerges in endless stream in China＇s public field. On the other hand,＂space＂ involves imagery esthetics and peculiarity value of new-generation directors. They treat the construction of under-class space as the imagery zone and develop the multi-function and esthetic rhetoric of space in the manner of ＂third space＂. Another ＂under-class China＂ is manifested in the present dialogue,which helps promote reasonable and peculiar reflections on the China＇s modernization drive.
出处
《南京农业大学学报（社会科学版）》
CSSCI
2010年第2期116-121,共6页
Journal of Nanjing Agricultural University(Social Sciences Edition)
基金
南京农业大学人文社会科学基金资助项目(SK08014)
关键词
底层
新生代
空间叙事
意识形态
话语
Under-class
New Generation
Spatial Narrative
Ideology
Discourse
