摘要
在西方传统形而上学的致思模式下,美的本质总是在审美主体和审美对象之间摇摆,这种主客对立二分的思维模式并不能获得终极的美的本质,也不符合中国传统美学的特质,中国美学的关键在对世内存在者非现成性维度的领悟。《华严金狮子章》作为华严宗的纲领性文本,正逐层地阐释着世间色相的因缘和合的非现成性维度,最后的涅磐透悟境界也正体现了中国美学的精神旨趣。
Accordlng to the western culture , the essence of beauty should lie in the aesthetic subject or in the aesthetic object. In light of the ＂subject - object dichotomy＂ , people can＇ t obtain the essence of beauty and it is different from the characteristics of traditional Chinese aesthetics. The key to understand Chinese aesthetics should be placed on the digestion of the non - off - the - shelf dissension about the essence of world. As for School of HuaYen, the Golden Lion Chapter of School of HuaYen explained the causes and conditions the non - off - the - shelf dimension phenomenon . The final realm of Nirvana embodies the spirit of Chinese aesthetic purport.
出处
《鸡西大学学报（综合版）》
2010年第4期30-31,39,共3页
JOurnal of Jixi University:comprehensive Edition
关键词
美的本质
真理
涅磐
领悟
essence of beauty
truth
Nirvana
understanding
