摘要
《拜月亭》所写爱情为日久生情,而非一见钟情;既歌颂婚姻自主,又遵守社会规范;颂扬摆脱门第的爱情,赞赏为爱情反抗父命君命。剧中悲剧情节与喜剧情节,相得益彰。剧中某些情节,就叙事角度而言,虽然看似枝蔓,但从戏剧的特点看,从社会批判的角度看,还是有其重要价值的。陀满兴福与蒋瑞莲,在全剧情节展开方面,起着重要作用。
The love as depicted in Bai Yue Pavilion is love in the course of time instead of love at first sight,praising marriage autonomy and conforming to social standard,chanting the praise of a love without limitations of family status,and appreciating a love that resist to orders from the father or the emperor.The cooperation between tragic plots and comic plots brings about the best in each other.Some plots in the opera,in the perspective of narration,seem like branches and tendrils,but viewed in the perspective of characteristics of opera,and in the perspective of social criticism,they still have important values.TUOMAN Xing-fu and JIANG Rui-lian play an important role in unfolding the plots.
出处
《贵州师范学院学报》
2010年第5期20-23,共4页
Journal of Guizhou Education University
关键词
《拜月亭》
元代文学
古典戏剧
四大南戏
《幽闺记》
Bai Yue Pavilion
Literature in Yuan Dynasty
Classical Opera
Four South Opera
In the Lady＇s Private Room
