摘要
借助角色理论揭示左翼剧运中政治与戏剧的关联方式。左翼剧人在国民党政权体系下和"剧联"内部,都扮演着政治参与者与艺术创造者的双重角色。政治环境、"剧联"组织和盟员自我三方面的角色期待发生冲突,并影响盟员的角色行为。"剧联"盟员试图通过他们的艺术表演表达其政治取向和情感归属,努力在角色冲突中寻找平衡点。这种心态决定了左翼剧人的艺术选择,并构成左翼戏剧发展中戏剧与政治特殊关联方式的心理基础。
The paper focuses on the analysis of relationship between the politics and drama by means of the theory of role.The members of the Left-wing Association of Drama play double roles as politician and dramatist in the nation and the theatre organized system.The role expectations from the political environment and the Left-wing Association of Drama and also members of the theatre organization have the conflict and influence the members＇ behavior.The members of the Left-wing Association of Drama attempt to seek a balance point in the role expectations through their artistic performance,which has decided the development direction of left-wing drama and the artistic choice of left-wing dramatist.
出处
《河北大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第4期126-130,共5页
Journal of Hebei University(Philosophy and Social Science)
基金
2009年度河北省社会发展研究课题<三十年代中国左翼戏剧研究>(200904032)
关键词
左翼戏剧
角色理论
剧人角色
the Left-wing Drama
the theory of role
the role of left-wing dramatist
