摘要
南京红土桥出土的一批南朝泥塑像,是六朝都城建康地区同类遗物的首次发现。据分析,遗物出土地点与南朝延兴寺遗址有关。从制作工艺角度观察,红土桥南朝泥塑像经彩绘、施釉妆銮和入窑烧固等工序,与同时期百济泥塑像相似,属于同一制作工艺技术传统,而与北朝泥塑像之间存在明显的差异,反映了南朝佛教文化对百济的深远影响。
A number of clay figurines were unearthed from Nanjing Hongtuqiao,a site related with Yanxing Temple of the Southern Dynasties.It was the first discovery in Jiankang district of the Six Dynasties.Viewing from the producing technology,such as the process of painting,glazing and firing,these figurines are similar with those of the same period made in Baekje and share the same producing technology while show clear difference with those of the Northern Dynasties,which suggests the Buddhist culture of the Southern Dynastie sever had significant influence on Baiji.
出处
《东南文化》
CSSCI
北大核心
2010年第3期48-58,共11页
Southeast Culture
关键词
南京红土桥
南朝泥塑像
延兴寺
制作技艺
百济
北朝
Hongtuqiao
Nanjing
clay figurines of the Southern Dynasties
Yanxing temple
producing technology
Baekje
the Northern Dynasties
