摘要
现象学视域中的知觉理论主要经历了三个阶段：胡塞尔的意识知觉阶段、梅洛一庞蒂的身体知觉阶段和杜夫海纳的审美知觉阶段。以克服或超越主客二元对立思维模式的局限性为目标，梅洛一庞蒂对胡塞尔的意识知觉进行了修正和完善，杜夫海纳则创造性地综合各家优长之处，将现象学的知觉理论推进到了美学领域。胡塞尔的现象学哲学为现象学美学的研究奠定了哲学基础，提供了研究和分析方法，这也在审美知觉理论上得到了证实。
The theory of perception in the phenomenology perspective has gone through three stages： stage of Husserl＇s consciousness of perception, Merleau-Ponty＇s body perception stage and aesthetic perception Dufrenne stage. From Husserl＇s perception theory to Dufrenne＇s aesthetic perception theory, this is followed in the same logic. Husserl＇s phenomenology has founded the philosophical base for its aesthetic study, and it provides the method of research and analysis, which has been proved in the theory of aesthetic perception.
出处
《内蒙古大学学报（哲学社会科学版）》
CSSCI
北大核心
2010年第4期114-118,共5页
Journal of Inner Mongolia University(Philosophy and Social Sciences)
关键词
现象学
知觉
审美知觉
主客二元对立
phenomenology
perception
aesthetic perception
subject-object dual opposites
