摘要
元杂剧《倩女离魂》在看似"大大庆喜"的表层下隐藏着倩女深刻的人生悲剧。一方面,指腹为婚、母亲逼婚反映了封建社会中女性在社会身份和地位上所受的重负。另一方面,身魂分离则显示了女性的自主意识觉醒后本我的释放和人格的扭曲分裂。大团圆结局更是自我与本我在强大的道德理念的束缚下向超我的屈从和皈依。
The Yuan Dynasty＇ s potic drama Qian - nv＇ s Soul Fleeing with Her Lover hided Qian - nv＇ s profound life tragedy under the superficial reunion. On one hand, it reflected the female heavy burden which had existed in the social status and position in the feudal society from the ＂betrothed children before they are born＂ and ＂mother＇ s intimidation＂. On the other hand,the ＂bodily and soul separation＂ had demonstrated id release and the personality distortion after the rouse of feminine independent consciousness. And the happy ending result was a surrender to super - ego which had been fettered by the formidable moral idea of id and ego.
出处
《河南教育学院学报（哲学社会科学版）》
2010年第4期79-84,共6页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
关键词
《倩女离魂》
倩女
本我释放
超我皈依
Qian - nv＇ s Soul Fleeing with Her Lover
Qian - nv
id release
super - ego conversion
