摘要
接受美学突出读者的作用,确立了"作家—作品—读者"三位一体的思维与文学批评模式,强调文学作品要照顾读者群体的阅读需求。中国明清话本小说"三言"中"发迹变泰"这一故事类型的创作,从接受美学的理论角度看,正是从作品形式、人物的设置等方面的通俗性、叙事模式的推陈出新、作品中蕴含的图腾崇拜以及世人渴望入世的主题倾向这四个方面,分别满足了当时读者的市民心理、娱乐心理、民族文化心理和补偿心理,发挥了接受美学"期待视野"中定向期待和求新求异的创新期待的双重作用,从而使发迹故事散发出了永恒的艺术魅力。
Reception aesthetics emphasizes the role of the readers and establishes a type of model of ideology and literary criticism between writers,works and readers.It emphasizes that literay works should concern needs of mass groups.San Yan creates a certain style through telling stories of certain people＇s making one＇s fortune.Aesthetically,the writer wrote the stories from four aspects： the style,the popularity of arranging characters,the creative mode of narration and the belief of totem as well as citizen＇s desire of vita active thematic inclination.All the four aspects satisfy reader＇s psychology,the amusement psychology,the national psychology and compensation psychology respectively,which give a full play of duet functions of orientation expectation and creative expectation in anticipation vision and consequently distributes to the perpetual artistic charm of the story of making one＇s fortune.
出处
《晋中学院学报》
2010年第4期5-9,共5页
Journal of Jinzhong University
