摘要
中国现代悲剧观念是在历史演进中建构起来的,有文体的、美学的和文化的不同价值诉求。在西方文学观念的移植和介绍过程中,悲剧首先作为一种新的戏剧形式被提出和倡导,与此同时,王国维将社会人生纳入悲剧的审美提升和超越,实现生命体验与西方知识的合谋,推动了中国现代悲剧观念的发生。五四时期,悲剧观念既作为反思传统、批判社会的启蒙理念,又追求它的生命本质和审美价值,出现了工具化和艺术化不同的价值取向,到了30年代的朱光潜才实现了中国现代悲剧观念的理论建构与整合。
Modern Chinese tragedy concept,including different values from stylistic,aesthetic to cultural ones,is constructed in the history evolution.In the process of transplantation of western literary notion,tragedy at first was proposed and advocated as a new drama form;meanwhile,modern Chinese tragedy conception occurred when WANG Guo-wei integrated society and life into tragedy,thus improving tragedy＇s aesthetics and communicating life experience and western knowledge.In the May 4th period,the tragedy concept as an enlightening reason,criticized tradition and society,and pursued its essence and aesthetic value.Before,there were two values separately organon-oriented and art-oriented.Till 1930s,ZHU Guang-qian virtually realized the theory construction and integration of modern Chinese tragedy concept.
出处
《艺术百家》
CSSCI
北大核心
2010年第5期71-74,共4页
Hundred Schools In Arts
基金
教育部"新世纪优秀人才支持计划""20世纪中国文学生产方式与文学意义和形式"项目阶段性成果之一
关键词
美学观念
悲剧观念
文化
历史建构
现代性
意义转向
Aesthetic Conception
Tragedy Concept
Culture
History Construction
Modernity
Connotation Transition
