摘要
古典诗学中,"诗可以群"与"诗可以怨"是很难分开的。"怨"是诗人以文学为手段来进行政治实践的方式,是为了更好地实现"群"的价值伦理,但它受到"止乎礼"的限制,"群怨俱宜"正是这种态度在美学上的表现。而到了晚清,"怨"彻底从"礼"的束缚中暴发出来,以"革命"的激进方式介入到政治实践当中。"革命"成为一种激进的美学态度,而新文学的精神正是那种激进的革命精神和批判意识。
In classic Literature,it was very difficult to separate ＂Poetry as an Art of Sociability＂ and ＂Poetry as an Art of Complaint＂.＂Complaint＂ was the way that poets practiced in politics by literature,and actualized the ethical value of ＂sociability＂.It was restricted by the aesthetic character of ＂Gentle Sincere＂,and goodness in both ＂sociability＂ and ＂complaint＂ is the very representation of aesthetic attitude.But in Late Qing Dynasty,The ＂complaint＂ liberated completely from the bound of ＂ceremony＂,and get into politics practice by means of ＂revolution＂ radically.It is sure that the spirit of the new literature was the radical spirit and critical consciousness.
出处
《阜阳师范学院学报（社会科学版）》
2010年第5期61-65,共5页
Journal of Fuyang Normal University：Social Science Edition
基金
汕尾职业技术学院2010年度院级科研课题(SWSK10-011)
关键词
诗可以怨
群怨俱宜
文学革命
批判意识
Poetry as an Art of Complaint
goodness in both ＂sociability＂ and ＂complaint＂
literary revolution
critical consciousness
