摘要
秦淮位于南京。明清时期的秦淮青楼的乐妓音乐活动有三类:侑酒之乐、雅集之乐、集会之乐。秦淮乐妓对音乐的选择,有昆曲、小曲、器乐三方面。乐妓推崇雅文化是乐妓文人化的表现。从秦淮乐妓对于文人与雅文化的追求中可以看到,秦淮乐妓依文人喜好而选择不同乐曲和乐种,在其行为和审美之中,对于文人喜好的模仿与迎合,构建了乐妓自身的音乐文化。
There were three kinds of musical activities played by Qinglou leji （kabuki in China in ancient） in Qin-Huai area during Ming and Qing dynasties： music for help the girls urge the guests to drink, one for scholars get together, and one for party. For leji of Qin-Huai area chose the music, it almost related to three aspects： qunqu opera, ditty, instrumental one. To admiration of yawenhua （literally ＂elegant culture＂） showed the leji＇s interest to scholars. From leji of Qin-Huai favor of scholars and yawenhua, it could be seen that they chose the music in accord with scholars hobbies, therefore, to imitated and pander to scholars＇ taste created the leji＇s own musical culture.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2010年第4期69-82,共14页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
秦淮
青楼
乐妓
雅文化
音乐活动
Qin-Huai area, qinglou （whorehouse）, leji （kabuki in China in ancient）, yawenhua （literally ＂elegant culture＂）, musical activities
