摘要
本土文化的自觉意识,促发我们重新审视"中国文学史"中的水浒叙事问题。文学史形态的知识,遮蔽了对水浒叙事丰富性的全面认识;以《水浒传》指谓水浒叙事,遮蔽了水浒叙事的活态性质。"经典"范式的研究模式难以挖掘水浒叙事的民族审美文化意蕴。鉴于此,我们须依据"大文学"观,重绘一幅水浒文学地图,尽其可能恢复水浒叙事的文化原生态,由此呈现多元形态的水浒叙事所蕴涵的本土文化经验。
The self-awareness of local culture encourages us to re-examine the narrative means in All Men Are Brothers,for the historical literature knowledge embedded in the novel has hidden the richness of its narration.The title All Men Are Brothers is not able to reveal the liveliness of its narration.Therefore the existing research models are difficult to reflect the aesthetic culture of the nation and the implications in the narration.It is necessary to redraw the picture of All Men Are Brothers and spare no efforts in restoring the original cultural ecology of the novel,in order to demonstrate the local culture contained in the narration of All Men Are Brothers.
出处
《肇庆学院学报》
2010年第6期34-37,共4页
Journal of Zhaoqing University
基金
广东省高校优秀青年创新人才培育计划项目(2009400)
关键词
水浒
文学史
经典范式
新途
All Men Are Brothers
literary history
classical model
new research methods
