摘要
中华人民共和国成立之前的1930年代～1940年代，中国被动输入了包括现代建筑在内的各类建筑及其思潮，中国建筑师主动发展并奠定了中国现代建筑的基础。中华人民共和国成立之后的50年中，在1950～1970年代的前30年，先是"一边倒"学习苏联，反对西方现代建筑运动；后来关闭了所有对外的大门。但是，中国在隔绝中，现代建筑也有许多发展。1980～1990年代的后20年，对外开放使中外建筑文化有了广泛的交流。在取得成绩的同时，有盲目抄袭外国建筑的现象。在全球化的情况下，中外建筑的合作交流将得到加强，但应该警惕国际上强大的设计集团占领第三世界国家的设计市场；我们更应该主动地关注在地域和文化上更接近中国的亚洲第三世界。
In the 1930s～1940s before the founding of the Paple's Republic of China, all kinds of architecture and trends of architecture including modern architecture were imported into China passively, at the same time, Chinese architects developed and established the base of Chinese modern architecture positively. During the fifty years of the founding of the P. R.China, the government advocated learning from the soviet Union and against western modern architecture in the first 30 years of 1950s～1970s, and then, closed all gstes to outside. But Chinese modern architecture also developed in isolation. In the following 20 years of 1980s～1990s, sino-foreign exchanges in architecture and culture occurred because of the policy of reform and opening to the outside world. The phenomena of copying foreign architecture blindly still exist although the considerable headway has been made. Under the globalization, sinoforeign exchanges and cooperation in architecture profession should be reinforced, but it must be on guard that the international powerful design groups intend to occupy the design market of tile third world. China must pay more attention to the third world countries in Asia which are close to China in region and culture.
出处
《世界建筑》
1999年第9期16-23,共8页
World Architecture
基金
国家自然科学基金
关键词
中外交流
建筑文化
输入
发展
Sino-foreign exchanges, Architecture and culture, Importation and development
