摘要
广西少数民族织锦图案的审美主要表现在本色之美、自然之美、形式之美和个性之美。在现代设计领域中,通过直接提取、化繁为简、重视意象表现、解构与重构、中西合璧等方式学习和借鉴优秀少数民族织锦图案的审美表现形式,保护和利用民族文化资源,弘扬和创新发展民族原生态文化。
The aesthetic implications of the brocade patterns of ethnic minorities in Guangxi come from its genuineness,naturalness,form and individuality.To protect and make use of ethnic cultural resources,carry forward and develop the primitive culture of ethnic minorities,modern design should be encouraged to draw references from the aesthetic forms of excellent ethnic brocade patterns through direct extraction,simplification,stress on image representation,deconstruction and reconstruction,and a combination of the Chinese and the foreign.
出处
《广西民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第1期93-96,共4页
JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION
关键词
广西
少数民族
织锦图案
审美
现代价值
Guangxi
ethnic minorities
brocade patterns
aesthetic
modern value
