摘要
从贵州三都水族马尾绣背扇服饰的特征以及马尾绣背扇织绣纹样的"形"与"意"两个方面,以马尾绣背扇心的主体织绣纹样蝴蝶纹为例,探索水族背扇服饰所折射出的水族少数民族对神奇大自然的崇拜和敬仰以及他们"观物取象"的美学思想。表明了心灵手巧的水族妇女将传奇故事中的"蝴蝶"美纹,运用变形、夸张、概括的抽象艺术表现手法,对其进行意象美化。从"形似"到"神似",充分展示了水族先民追求幸福美好生活的文化思想及精神内涵在背扇服饰文化中得到极致的发挥。
From the features of the swaddle costumes,the horsetail hair embroidery works of Shui people in Sandu,Guizhou,and the ＂form＂ and ＂meaning＂ aspects in the embroidery pattern,this article takes the butterfly pattern,the major embroidery pattern,as an example,tries to explore the Shui People＇s admiration and worship of the mother nature and their aesthetic thought of ＂abstracting image from viewing＂ reflected in their swaddle costumes.This article also presents that the clever and smart Shui women,using various kinds of abstract artistic expressive methods,such as transformation,exaggeration,and summarization,have made an imagery beautification of the beautiful ＂butterfly＂ pattern in the legend stories.From similarity in form to similarity in spirit,the embroidery culture of the swaddles shows the ideology and spiritual connotation of the pursuit of the ancestors of the Shui people for happy life.
出处
《贵州大学学报（艺术版）》
2011年第1期78-81,87,共5页
Journal of Guizhou University Art Edition
基金
2009年度贵州省教育厅高校人文社会科学研究专项项目[项目编号:09ZX013]
2010年贵州大学人文社科校级青年项目[项目编号:GDWQ2010040]
关键词
马尾绣
背扇
服饰文化
horsetail hair embroidery
swaddle
butterfly pattern
