摘要
由于政治因素,学界以往对蒋光慈的末期作品《丽莎的哀怨》和《冲出云围的月亮》评价不一,近期观念虽有所改变,但至今仍普遍认为后文是蒋光慈在前文受到批评之后＂有过则悔则改＂的作品。这一观点仍需事实的验证。本文试图阐明蒋光慈东京之旅前后的情况,从而分析两部小说发生题材蜕变的原因。
Due to political reasons,scholars hold quite different opinions toward Sorrow of Lisha and Moonlight Rift from the Clouds,two works of Jiang Guangci in the last phase.Recently the ideas undergo some changes,but it is still commonly agreed that the latter is a 'repent for and revision of the fault' resulting from the former's being criticized.Since the point needs more factual evidence,this paper illustrates Jiang's experiences before and after his visit to Tokyo,aiming at figuring out the reasons underlying the sudden change of these two works' genre.
出处
《当代外语研究》
2011年第6期43-48,61,共6页
Contemporary Foreign Language Studies
