摘要
中国传统音乐是由诸多音乐成分构成的音乐文化丛(Culture Complex)的集合,只有对之进行跨学科、立体化、多维研究视角的综合考察,才能对其内部结构的稳定性、变化运动的差异性进行系统性的整体研究。刘正维教授的音乐形态学研究在一般性的传统音乐形态学的基础上,以"五态"、"三线"和"四径"等维度构建了一套行之有效的分析方法,并以此关照歌种、曲种、剧种、乐种等活态音乐文化之间的系统关系。
That the Chinese traditional music is a collection of musical culture complex by numerous music elements,and only through the interdisciplinary,multi-dimensional and comprehensive survey,can be made a systematic research as a whole of its stability to internal structure,and differences of change movement.Professor Liu Zhengwei＇s music morphology research based on a common traditional music morphology,to construct a set of effective analysis methods with dimensionalities of ＂five states＂,＂three lines＂ and ＂four paths＂,and by which to coordinate the systematic relations among the types of songs,types of tunes,types of local operas,types of music,and other living music culture as well.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2011年第3期168-177,共10页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
刘正维教授
音乐形态学研究
活态音乐文化
系统
Liu Zhengwei（1931~）
music morphology research
living music culture
system
