摘要
以工笔重彩为主要形式的粉彩花鸟画,自清康熙、雍正、乾隆产生并成熟以来,在表现形式和操作技法方面,积累了许多宝贵的经验。笔者从长期的创作实践中体会到:一件成功的艺术作品,除了技巧的熟练运用,装饰题材、装饰对象的形体如何与表现形式相得益彰,显得十分重要。
Famille rose flower-bird painting with exact delineation and enriched colors generated and developed during the dynasties of Kangxi, Yongzheng and Qianlong. After long-term development, the painting has accumulated valuable experiences in manifestation and techniques. After long-term creative practice, the author believes besides skills proficiency, how to integrate the decorative themes and the shape of decorative objects with the manifestation plays a very important role in creating a successful artistic work.
出处
《中国陶瓷》
CAS
CSCD
北大核心
2011年第7期58-59,62,共3页
China Ceramics
关键词
粉彩
花鸟瓷画
表现形式
Famille rose, flower-bird porcelain painting, manifestation
