摘要
《老子》尽管并非专门探讨文艺的著作,却对中国文艺思想有着巨大而深远的影响。二十世纪七十年代以前,老子表面上反"美"、反文艺的思想倾向,导致其文艺思想研究长期处于沉寂状态。新时期以来,运用整体观照、阐发研究、中西比较等多元方法,从美学、文论的角度研究老子,取得了突破性进展。三十年来,老子核心文艺思想探究的深广度已经达到了较高水平。
Though Lao-tzu is not a specialized literary book, it has had a great and far-reaching impact on the Chinese literary ideology. Before the 1970s, the study on literary ideology of Lao-tzu hadn＇t been taken seriously. But in the past thirty years, the research of Lao-tzu＇s ideology from the comparative and aesthetical perspectives has made a breakthrough. And the depth and width of his core thought have reached a high level.
出处
《广东工业大学学报（社会科学版）》
2011年第4期48-52,共5页
Journal of Guangdong University of Technology(Social Sciences Edition)
关键词
老子
文艺思想
研究史
Lao-tzu
literary and art ideology
the history of studies
