摘要
对中国少数民族审美思想的自觉研究始自20世纪80年代末90年代初。研究内容从少数民族美学文献和田野资料的搜集、翻译、整理,到人类学、美学、社会学等多学科角度的阐释,从民族风情、民族艺术的描述到民族文化视阈的审美研究,再转向21世纪的审美人类学和艺术人类学的研究,从专题个案、个别民族的研究到民族美学学科理论体系的建设研究。未来的少数民族美学学科建设应立足各民族审美的理论与丰富的民族审美实践相结合、国际化视野与本土化取向相结合、尊重各民族传统与创新发展相结合、保护各民族文化与利用其资源相结合的原则。
The study of ethnic aesthetics in China began from the late 80＇s to the early 90＇s of the last century.The range of research contents were from documents,information collection,translation and tidying up to multi-subject angle of anthropology,aesthetics sociology,from ethnic amorous feelings,the description of ethnic art to the aesthetics of ethnic culture and further to the research of aesthetic anthropology and art anthropology in the 21st century,from the study of subject case and individual ethnic group to the constructive research of theoretic system of ethnic aesthetics.The future study of subject construction of ethnic aesthetics should be sticked to the foothold of combining aesthetic theory and enriching ethnic aesthetic practice of each ethnic group,combining international perspective with the localization tendency,combining respecting each ethnic group＇s traditions with innovation and development,combining each ethnic culture with the utilization of their resources.
出处
《中央民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第4期144-150,共7页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
基金
教育部2009年度新世纪优秀人才支持计划资助项目"中国少数民族美学理论与实践研究"(批准号:NCET100000)阶段性成果
关键词
中国少数民族美学
审美人类学
学科建设
ethnic aesthetics in China
aesthetic anthropology
subject construction
