摘要
民间是一种自然生存状态,超然于主流话语之外,却拥有极强的生命活力,绵延在城乡的历史变迁中。透过王安忆的诗学原则,可以发现其小说《长恨歌》里的人物、叙述者、语义内涵等文本要素,无不浸润着民间色调。这些色调似乎预示,作者在转变知识分子精神独守立场后,悄悄地以民间视角阐释城市民间的审美文化空间,努力勾划某种民间稳定性,逼近城市景观的原初生态,描绘出一种"新妇女历史"景观。
Folk life with overpowering vitality energy which is a natural culture landscape stays away from the mainstream discourse, and stretches along the historical changes. From the poetics principle of Wang Anyi, we can feel that folk tone drenched the text essential constituent such as characters, narrator, semantic connotation. The folk tone seemingly shows that the writer gradually changes her intellectual elites stand and explains aesthetic culture of city life from folk view angles. Wang Anyi strive to step into the primordial ecosystem of city in order to unravel some stable factors of folk life and trace out a landscape of new women history.
出处
《河北科技大学学报（社会科学版）》
2011年第3期62-67,共6页
Journal of Hebei University of Science and Technology:Social Sciences
