摘要
《管子》的音乐观与儒家音乐观相比较有其相同之处,表现为两者都重视雅乐的教化作用,但《管子》更重视探讨最高境界的雅乐与社会、自然的关系;在对待俗乐方面,两者又都在一定程度上意识到了俗乐的危害。但《管子》接受了俗乐兴起的客观事实,承认了俗乐的部分作用,如统治阶级在不沉湎于俗乐的情况下,可以欣赏俗乐;亦曾巧妙地利用俗乐帮助自己脱离困境。《管子》的音乐观体现了它的继承与创新并重的学术特点。
The music views in Guanzi and the Confucian music views have the similar views,namely,valuing the elegant music and music education,but Guanzi explores the relationship between elegant music and society and nature.The two are conscious of the harm of the popular music,but Guanzi accepts this fact and acknowledges some functions of popular music,for example,the ruling class can enjoy some popular music or help themselves out by way of popular music,so the music views of Guanzi reflects inheritance and innovation.
出处
《河北学刊》
CSSCI
北大核心
2011年第6期248-251,共4页
Hebei Academic Journal
关键词
《管子》
音乐观
雅乐
俗乐
Guanzi
music views
elegant music
popular music
