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藏族绘画唐卡中的色彩审美与精神化符号表现 被引量:16

A Study on the Colour Aesthetics of Tibetan Thangka Painting and the Spiritualized Symbols in the Paintings
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摘要 绘画唐卡是藏族重要的宗教祭拜工具,具有神秘深厚的教理内涵和艺术欣赏价值,其绘画色彩具有浓郁的地域特色和鲜明强烈的视觉冲击力,是藏族文化中重要的精神图像表现内容。文章研究绘画唐卡的色彩组合规律和精神化符号表现,了解藏传佛教绘画的色彩审美观念和用色习俗,从色彩的运用规律和精神化符号表现两方面分析宗教精神的博大和唐卡艺术的继承与发展,加深对藏族唐卡中色彩创造的认知和民族艺术表现形式的了解。 Thangkas are important religious items for worshipping in Tibet with rich mystic contents of religious doctrines and high artistic value. The painting colors of Thangkas have distinctive geographical features and strong visual impact. In Tibetan culture Thangkas have been used to illustrate spiritualized mental images. This article focuses on the colour scheme of Thangka painting and spiritualized symbols depicted in Thangkas so as to understand the colour aesthetics of Tibetan paintings and its tradition of colour using. Additionally, the inheritance and development of Thangka painting is discussed as well as the creativity expresses by the color scheme of Thangaka and the expression forms of the ethnic art.
作者 王可刚
出处 《西藏大学学报(社会科学版)》 CSSCI 2011年第5期143-150,共8页 Journal of Tibet University
基金 2009年度教育部人文社会科学一般项目"西藏绘画研究-技法解析与精神图式"阶段性成果 项目号:09YJA760037
关键词 绘画唐卡 色彩审美 精神化表现 Thangka painting color aesthetics spiritualization
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