摘要
本文对莫扎特和贝多芬作品奏鸣曲式乐章在主题结构,主副部主题,展开部规模,引子、连接部、结束部、尾声的作用等方面进行了比较研究,结合作曲家的个人经历和创作的时代背景来探索奏鸣曲式从古典风格向浪漫风格转变的根本原因。
This paper makes a comparative study on the works of Mozart's and Beethoven's sonata form movements considering the theme structure,comparison of theme in main and vice pats,scope of extensible part,preface,connection parts,termination part and rules of coda.Furthermore,the two composers'personal experience and time background are discussed to explore the fundamental reasons why sonata form changes from classical style to the romantic one.
出处
《吉林艺术学院学报》
2008年第4期17-20,共4页
Journal of Jilin University of Arts
