摘要
屈原忧患意识源于其前代社会各阶层所表现的忧患意识,它的生成与楚国社会现实紧密相关,主要表现为忧国、忧民、忧己等。“忧国”体现在为国君昏庸而“忧”、为党人误国而“忧”;“忧民”寓于作品所表现的民本思想当中;“忧己”体现在:为得不到国君信任而“忧”、为志同道合者变节而“忧”、为自己孤立无援而“忧”。忧患心境驱使诗人进行审美创造活动,诗人的忧患意识、忧患心境在审美创造活动中得以表现、宣泄。
QuYuan’s misery consciousness dates back to his previous era, which is closely related to the reality of the Chu State . His great anxiety about the country, and people,and about himself embodies his worrying about the King’s fatuity and flunkies’ harm to his country. Qu Yuan failed to obtain the King’s trust and his friends’ apostasy and his helplessness made him very sad,which appeared in his poems.
出处
《梧州学院学报》
2006年第4期54-58,共5页
Journal of Wuzhou University
基金
湖南省教育厅资助项目(06C445)
湖南人文科技学院资助项目(2005C013)
关键词
屈原
忧患意识
忧国
忧民
忧己
审美观照
QuYuan
misery consciousness
anxiety about the country
worrying about the people
worrying about himself
interpretation in esthetics.
