摘要
柳永由于在气质、际遇上与宋玉的遇合,在创作中大量地接受宋玉《九辩》及其它作品,将"悲秋"意象用于词体,把词自《花间》以来的"春女善怀"主题带向了"秋士易感"的题材,扩展了词境;也因为他自身在艺术气质上与宋玉的契合,在艺术手法上也从宋玉赋中汲取了种种变化,并大量用于慢词长调的创作之中,扩大了词体。
Due to the similarity in temperament and opportunity between Liu Yong and Song Yu,the former has introduced significantly from Jiubian and other works by Song Yu into his own.He applies the image of ＂sad autumn＂ into the style of ci（poetry） and introduces the theme of ＂female＇s nostalgia feeling in spring＂ in the ci of Huajian into the context where ＂male＇s susceptible feeling in autumn＂ is perceived.As a result,the context of ci has been expanded.As Liu is similar to Song in art temperament,he learned different ways of expression artistically from Song Yu,and put them into slow and long-tuned ci so as to enrich the style of ci.
出处
《贵州大学学报（社会科学版）》
2011年第5期92-96,共5页
Journal of Guizhou University(Social Sciences)
基金
贵州大学人才引进项目资助
关键词
宋玉
《九辩》
柳永
悲秋
Song Yu
Jiubian
Liu Yong
sad autumn
