摘要
通过对民族电影、少数民族题材电影以及少数民族电影等概念进行厘清与界定,在全球化语境下,中国少数民族题材电影可划分为三个发展时期,分别有其不同的文化想像、身份追寻、意识形态表征等文化价值取向。此外,还可以从文化多元化特质与电影文化民族异质性的全球化表达策略两个方面,探讨少数民族题材电影文化价值的取向与方略,以期寻求当下少数民族题材电影发展的对策与路向。
The paper first makes a clarification of national film, ethnic minority-related film and ethnic minority film; categorizes the ethnic minority-related film into three phases of development in the global context, summarizes their respective characteristics in cultural imagination, identity and ideological representation; and lastly, considers the possible strategies and approaches for the ethnic minority-related film development from the perspective of cultural pluralism and global representation of ethnic heterogeneity in the hope of specifying strategies and approach of ethnic minority-related film in the global context.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2012年第1期22-32,共11页
Journal of Shanghai University(Social Sciences Edition)
